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SUMMARY:Prof. Dr. Lara Pearson: Gesture in Karnatak Vocal Performance
DTSTART;TZID=Europe/Berlin:20260706T181500
DTEND;TZID=Europe/Berlin:20260706T194500
DTSTAMP:20260726T104732Z
UID:b454ca2c3874442ab041534e9b7d3a65@www.ioa.uni-bonn.de
CATEGORIES:AIK
CREATED:20260618T100814Z
DESCRIPTION:Music can be understood as a form of sonic\, bodily and social
  interaction. This is evident in live performance where\, in addition to s
 onic interaction between musicians\, we can see performers and audience me
 mbers responding to each other and to the sounds produced through modaliti
 es such as gesture\, facial expression\, utterance and dance. \nIn this ta
 lk\, I explore music performance as interpersonal\, embodied interaction t
 hrough the lens of my research on gesture in the Karnatak music tradition 
 of South India\, where vocalists tend to spontaneously gesture while they 
 sing. Looking at both lessons and concert settings I examine details of ge
 sture\, gaze\, facial expression\, utterance and sung phrases that constit
 ute interpersonal interaction. In light of these analyses and based on the
 oretical work from pragmatist and phenomenological traditions\, I discuss 
 how such gestures can contribute to performers’ grip over their interact
 ions\, both with other people and with the music performed.
LAST-MODIFIED:20260618T100844Z
URL:https://www.ioa.uni-bonn.de/aik/de/nachrichten/prof-dr-lara-pearson-ge
 sture-in-karnatak-vocal-performance
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