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SUMMARY:Mapping a Modernist Metaverse: Gu Gan’s "Labyrinth City of Loula
 n
DTSTART;TZID=Europe/Berlin:20240708T181500
DTEND;TZID=Europe/Berlin:20240708T194500
DTSTAMP:20260920T041540Z
UID:20be12cf66c546cbb66cd207bae03fce@www.ioa.uni-bonn.de
CATEGORIES:AIK
CREATED:20240613T095359Z
DESCRIPTION:The Labyrinth City of Loulan (Loulan micheng)\, now kept in th
 e Museum of East Asian Art\, Cologne\, was created in 1992 by pioneer Mode
 rnist Chinese calligrapher Gu Gan (1942–2020). Featuring pictographic va
 riations of ancient Chinese oracle-bone and seal scripts\, it exemplifies 
 the Modernist renewal of calligraphic arts in Post-Mao China. Relying on t
 he long-standing premise of ink-drawn brush strokes as unique\, cosmograph
 ic “mind paintings”\, the work expresses an artistic mindset shaped by
  and shaping the creative generation of Gu’s time.  Its composition is\,
  decipherable as a diagrammatic\, indeed cartographic spatial design\, who
 se intricate labyrinth of written and painted ‘signposts’ emerges like
  a visualized mind map of sorts: allowing us to navigate across some of th
 e tangled historical and geographical\, epigraphical and archaeological te
 rrains of Chinese art. The presentation so maps out Gu’s work as a “Mo
 dernist Metaverse” themed on the ruined ancient Silk Road city of Loulan
 .
LAST-MODIFIED:20250905T232317Z
URL:https://www.ioa.uni-bonn.de/aik/de/nachrichten/mapping-a-modernist-met
 averse-gu-gan2019s-labyrinth-city-of-loulan
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