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SUMMARY:Dr. Paride Stortini: The Allure of the Past
DTSTART;TZID=Europe/Berlin:20241104T181500
DTEND;TZID=Europe/Berlin:20241104T194500
DTSTAMP:20260517T201216Z
UID:d38c1694dd4041cd9dbe01fef2542618@www.ioa.uni-bonn.de
CATEGORIES:AIK
CREATED:20241028T094235Z
DESCRIPTION:Scholarship on religion and visual culture often posits that t
 he birth of modern museums and art historical approaches brought to a secu
 larization and aestheticization of religious art. This might also explain 
 why many scholars of art have explored the intellectual and artistic netwo
 rks created in the early 20 th century between Japan and India and centeri
 ng on the encounter between the Bengali poet Rabindranath Tagore and the J
 apanese art historian Okakura Kakuzō\, but they have not considered the i
 mportance of Buddhism in this transnational flow of visual culture. This p
 resentation will trace recent scholarship on modern Buddhism that is shedd
 ing light on the role of Buddhist priests and intellectuals in the circula
 tion of visual culture between Japan and South Asia\, and will focus on th
 e work of one specific Japanese artist\, Nousu Kōsetsu\, and on the way h
 is art has been redeployed in modern spaces of Buddhist religious practice
  in a transnational context.
LAST-MODIFIED:20250905T232317Z
URL:https://www.ioa.uni-bonn.de/aik/de/nachrichten/dr-paride-stortini-the-
 allure-of-the-past
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TZID:Europe/Berlin
X-LIC-LOCATION:Europe/Berlin
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DTSTART:20241027T020000
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TZOFFSETFROM:+0200
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